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Even specialized histories and handbooks of Austrian literature overlook Gerhard Fritsch more often then they mention him — and if at all, perfunctorily.
Yet he was no footnote figure in his day. Highly regarded as a novelist and lyric poet from almost to his death in , he was a kingmaker on the cultural scene, working as radio commentator, editor or co-editor of influential journals Wort in der Zeit , Literatur und Kritik , protokolle , translator, and committed promoter of new writers.
A peacemaker as well as a kingmaker, he embraced conciliation and compromise in an era of ideologically shrill culture wars, seeking the center by endorsing traditionalism and continuity and balancing what extremes he could not reconcile. Fritsch had published a novel in , Moos auf den Steinen Moss on the Stones , praised as a skillful synthesis of tradition and novelty in its ability to represent Austria after through the conventional but beautifully deployed image of a castle fallen into decay.
The novel was esthetically polished and socially critical without posing any threat or confrontation. Yet Fritsch eventually had to choose sides as the s created greater polarization. That is why the usual reference works overlook him. Nine years after Moos auf den Steinen , and after several complete redrafts and rewrites, Fritsch published a new novel, Fasching Carnival , to immediate fury and rejection. Its transgressive atmosphere of blasphemous, feverish carnival, its disconnection between outside nature and human nature, its revelation of how deep-seated the romance with Nazism still was twenty years after the war, its concentration on exploitative sexual encounters, its fascination with degradation and violence, scapegoating and victimization made Fasching temporarily famous only through the outrage it provoked.
Then it suffered the characteristic Austrian fate of being ignored out of existence. All the hubbub about the fiction and editorial work has helped obscure the poetry in both German and English. Fritsch began as a poet, publishing a volume in based on his wartime service and experience, and two more collections in and His Gesammelte Gedichte Collected Poems appeared in , nine years after his early death by suicide Fritsch was born in , and the volume garnered little notice.